Balkan Music &
Dance Workshops
Virtual Camps 2021

Mark your calendars for Virtual Camps 2021! West Coast will be held June 25-27, 2021; and East Coast will run August 13-15, 2021. As last year, each camp will feature three days of immersive classes, live-music performances, and community gatherings. Much more information to come.

Until registration is open for this summer’s weekend events, check out last year’s camp programs here: West Coast 2020 and East Coast 2020.


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Get the FAQs

Find out almost everything you always wanted to know about the EEFC’s Balkan camps.
FAQs


Scholarships

We award several full and partial scholarships to each workshop every year.
Apply for one.


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Kids at Camp!

A great experience for families. Get the scoop to ensure everyone has a blast!


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Join the circle.
Become a member.

Since the beginning the East European Folklife Center has depended on you—our big-hearted community!




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Stay in Touch

There are several ways to stay connected to the EEFC throughout the year. Subscribe to our email Newsletter for monthly updates. Join the discussion list (an active email group with searchable archives since 1993). Send us a message.


Partners

The EEFC is proud to partner with sister organizations, including the Bulgarian Folk Music & Dance Seminar.

Judith Cohen

Balkan Ladino/Sephardic Singing

Judith Cohen is a singer, ethnomusicologist, medievalist and inveterate traveler who specializes in Sephardic songs and related traditions. An unplanned summer in 1970 hitchhiking through then-Yugoslavia with a friend sparked a lifelong fascination with music and dance of the Balkans, followed by years of traveling in Spain, Portugal, Turkey, Morocco and elsewhere, and, in between, a Masters in Medieval Studies and a Ph.D. in ethnomusicology. Her life as a performer and her work as an ethnomusicologist are intertwined: besides Sephardic songs, she works with Balkan, Yiddish, French Canadian, Portuguese, Spanish, and Medieval repertoires. As a storyteller, she weaves together pan-European ballads and the stories of the people who sing them. Judith also pioneered ethnomusicological fieldwork of the Crypto-Jews of rural Portugal, and is the consultant and editor of the Spanish recordings and diary of the legendary Alan Lomax collection.

Judith accompanies her singing and storytelling on frame drums and the medieval bowed vièle, interspersed with medieval, renaissance and folk traditions on recorders and pipe-and-tabor. She teaches part-time at York University in Toronto, and is often based in Spain and Portugal during the summer, doing research and fieldwork, and traveling from there to present concerts, workshops and conference papers, most recently in Germany, Israel, Poland, Morocco and China —where, as part of an applied ethnomusicology conference, she gave graduate students at the Beijing Conservatory a workshop in songs and rhythms of the Balkans.

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