Balkan Music &
Dance Workshops 2022

Mark your calendars — Our in-person summer workshops are coming back!

West Coast:
Mendocino Woodlands, CA
June 18-25, 2022

East Coast:
Iroquois Springs, NY
August 6-13, 2022

Registration will open in early spring of 2022.


Get the FAQs

Find out almost everything you always wanted to know about the EEFC’s in-person Balkan camps.


We award full and partial scholarships to our in-person workshops.
Find out more


Kids at Camp!

Our in-person workshops are a great experience for families. Get the scoop to ensure everyone has a blast!

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There are several ways to stay connected to the EEFC throughout the year. Subscribe to our email Newsletter for monthly updates. Join the discussion list (an active email group with searchable archives since 1993). Send us a message.


The EEFC is proud to partner with sister organizations, including the Bulgarian Folk Music & Dance Seminar.

Susan Kotansky

Balkan & Albanian Dance

Susan Kotansky performed with the George Tomov, Kálmán Magyar’s Hungária, and Ungaresca ensembles in New York City. She spent a year living in Budapest, attending the Folkdance Section of the State Ballet Institute and studied with the Bartók Ensemble under the direction of Sándor Timár. She has made many research trips to Hungary and Transylvania, and together with her husband Stephen Kotansky founded the Guzsaly Ensemble.

Stephen and Susan were instrumental in planting the seeds for the táncház movement in the U.S., teaching classes and inviting teachers from Hungary. Together they teach Hungarian and Balkan dance classes worldwide. More recently Steve and Susan have done research on Albanian dance and they are about to take their second trip to Albania.

Class Description | Albanian & Other Balkan Dance

  • Beginners are welcome.
  • Schedule allowing, I’m available for additional instruction outside of class.
  • The Student Concert is optional, and the class will decide whether we perform.
  • This class plans to collaborate with Merita & Raif’s classes as well as John Morovich’s classes.
  • Repertoire will include dances from Albania, Macedonia, Bulgaria, and the Roma.
  • This class is accessible to non-dancer musicians.
  • We will discuss strategies for learning new dances.
  • Line leaders are expected to rotate throughout class.
  • Class will focus on stylization.